• The City - Becoming and Decaying

    »The City – Becoming and Decaying«
    The new exhibition and book project of the agency OSTKREUZ

    On 7 May 2010 we will open our new exhibition at C/O Berlin. The agency’s 18 photographers visited cities worldwide to document various aspects of urban life. The process starting with the idea and finishing with the presentation will have taken more than three years.

    Lately we have already presented parts of some works on our blog:

    All pictures have now been taken and the production of the exhibition and the book has begun.
    We will keep you posted during the next few weeks.


    DownTown - Dawin Meckel

    DownTown

    © Dawin Meckel/OSTKREUZ

    Gaza - Heinrich Völkel

    Gaza
    © Heinrich Völkel/OSTKREUZ

    Auroville - Anne Schönharting
    Auroville

    © Anne Schönharting/OSTKREUZ

    Transit stills - Frank Schrinski ( No.1 ; No.2 ; No.3 )

    Transit stills

    © Frank Schinski/OSTKREUZ

    Mas Austral - Jörg Brüggemann
    Mas Austral

    © Jörg Brüggemann/OSTKREUZ

    Talayan Riverside - Espen Eichhöfer
    Talayan Riverside
    © Espen Eochhöfer/OSTKREUZ

  • Homelessness

    Christoph Wilde: Hello Harald. Once again I've searched our database and found the following image by you.

    Obdachlosigkeit

    Harald Hauswald/OSTKREUZ

    It shows two homeless men at the Alexanderplatz in Berlin. Such fates are part of daily life in most German city centres and most passers-by no longer notice these people. How do you deal with such circumstances when photographing?


    Harald Hauswald: I have great inhibitions towards situations like these. I find it very hard to take such pictures. This picture was part of a feature I did for the Extra Magazin.

    CW: A lot of people cannot comprehend how one can become homeless, after all, we are living in a state of social welfare. But for many, once caught in this vicious circle, it is almost impossible to resurface. How was that in the GDR, were there homeless in the city centres?

    HH: I would argue that there were, but not observably, since they were immediately taken elsewhere by the police. Homelessness was not as extensive as today, since rents were much lower then.

    CW: In 1968 the "criminal antisocial way of living" was regulated under § 249 of the criminal code. In the GDR, who was this law applied to and how?


    HH: One had the right, but also the obligation to work. If you violated this law you were counted as antisocial and could be penalised with a prison sentence. A friend of mine once did not work for three months and went to prison for 2 years and another 4 years a second time.

    CW: Thank you, Harald.

  • The intern - David Vogt

    So I'm the intern. And I'd like to to tell you a little about the agency OSTKREUZ, directly from my workplace.

    I'm actually studying Communication Design here in Berlin, but want to photograph. I have always been excited about stories, stories about life, stories that bring the people, from wherever, may it be from South America or from in front of your doorstep, to the people here. My Prof. recommended Ostkreuz to me and now and then I visited the website, and was always inspired by stories like "Living on a Dump" by Jordis Antonia Schloesser, "Sworn Virgins" by Pepa Hristova, now especially by Andrej Krementschouk's "Come Bury Me" (I love the stories he tells from his journeys when he's here), even Joerg Brueggemann's "Same Same But Different" (although he's already off and away in Indonesia, tinkering on another story). So, really, I love stories from other places - I'm young and still have this wanderlust urging me to go - but particularily at home photography can make things visible, which are no longer noticed by the majority of the people. Now I'm finally here (again, on recommendation - of the photographer I assisted the last three months).

    Considering the Praktikum.doc I'm supposed to tear out published photographs from magazines, send out the "daily downloads" ("IMPORTANT: Check all image downloads, varify all clients, anticipate possible complications! e.g. "BILD" - largest german yellow press - downloads a picture of one of Germany's most famous television hosts, Guenther Jauch: oh oh"), browse the database for new clients, answer image requests, "gladly do" price arrangements!

    Up until now, though, it was actually more interesting than all that may sound like! viz. not only is there the computer screen, but also a bunch of quite interesting people, who in turn do not only sit in front of a screen themselves:
    For example, I assisted Annette Hauschild casting kids for a new designer collection (photo). At the end, all the kids were jumping around the "photographer's room", having been animated out of their shyness by the photographer.

    Der Praktikant

    © Annette Hauschild/OSTKREUZ

    I also pulled out old photographs from the analogue archive (a room full of negatives and prints, many quite some years older than myself, stored away in boxes and cupboards... but more about that later), scanned them, sent the files, ineptly greeted the requester with "Dear Mrs ..." instead of the appropriate "Mr."! At the weekly office meeting I curiously followed the discussions of the established with the younger photographers (I'm not sure, exactly, what it was all about anymore, perhaps the media crisis or the economic crisis, perhaps the different approaches of the photographers, or of the agency... one learns a lot about life here).

    Later I listened in on the blog meeting and have now begun to write: "The Intern"", that's me, and I want to, from time to time, allow you a view into OSTKREUZ, want to show you that it's more than just the invisible office in Greifswalder Strasse 216 (only a small, one inch wide sticker next to the bell betrays it), that it's full of hunters and gatherers, full of images and opinions, thirsty for action.

    David Vogt

  • Julian Röder - G8 Summits 2001-2008

    Dear reader,

    we apologize that we are only able to offer this video in German.

    Your sincerely,
    The Ostkreuz blog team

    ___________________

    Three students from the OSTKREUZ School of Photography produced this short video as part of a semester project. The video portrays the OSTKREUZ photographer Julian Roeder and shows his pictures of the G8 summits of 2001-2008.

    Many thanks to Christiane Roewer, Dinah Nagel and Eva Olibet.

    summits

  • Warlike

    Hello Harald. A similar picture as the following, I had searched before from our database. It was a picture of the eviction at Mainzer Strasse.
    Krawalle beim Künstlerhaus Bethanien

    © Harald Hauswald/OSTKREUZ

    But this time the picture shows the riots at „Kuenstlerhaus Bethanien“ at Mariannenstrasse in May 2001 in Berlin Kreuzberg. When I look at the two pictures, one phrase of you comes to my head: You spoke of a warlike situation. Were there "war-like" conditions in that situation as well?

    Harald Hauswald: This time I got a stone in the shin,
    but it is not comparable with Mainzerstrasse, because there it was really hot, with 167 injured policemen.

    CW: Have you ever thought about becoming a war photographer?

    HH: When a good friend of mine, Volker Handloik, was shot dead in Afghanistan, I did not longer think about it.

    CW: Do you think that war photography has an important task, or satisfies it just sensationalism?

    HH: I think the photos of Robert Capa were important, but if „normal pictures“ have barely a chance at the World Press competition, then I think it is problematic.

     

    CW: Thank you, Harald.

  • Pepa Hristová - Sworn Virgins

    Jörg Brüggemann: Hello Pepa. In 2008 you photographed a very interesting, though hardly known subject in Albania: the "Sworn Virgins", living in the villages of the "Cursed Mountains". What is that all about?

    Sworn Virgins

    © Pepa Hristová/OSTKREUZ


    Pepa Hristova: "Sworn Virgins" are women, who have sworn for a life-long virginity in order to fit into the role of men. This has nothing to do with transsexualism. Instead, it is about a rise in the hierarchy of the strictly patriarchal society in Albania; from there on they are classified as men. I was interested in the continuation of this ancient tradition for the preservation of the male domination in a country, which, belonging to Europe, is located no further than 1200 kilometres from the western educated world. Secondly I am very interested in the striking role change of these women, which also has a great impact on their psyche and physiognomy. Over the years their facial features hardens, their voice becomes deeper, outside the family they are not recognized as females anymore. Many of them were also saying that they have never experienced menstruation. They renounce every kind of sexuality for their entire life, which includes any kind of partnership and marriage. I have great respect for these women and the life they have chosen. I am fascinated by the power of this inner attitude.

    read on ...

  • Right-wing extremism

    Christoph Wilde: Hello Harald. Once again, a rare colour photo of yours, which I took from the database.

    NPD Demonstration

    © Harald Hauswald/OSTKREUZ

    On it we see an NPD ("National Democratic Party of Germany") demonstration against the reopening of the German Armed Forces Exhibition in Berlin. Were there counter-demonstrations?

    Harald Hauswald: There are always counter-demonstrations, but I did not see anything.

    CW: Was there right-wing extremism in the GDR?

    HH: Of course, there were 'Balds' and it was widespread among 'Normalos' and there were also such phenomena in the football scene. But all that always occurred in secrecy and the press never wrote about it, with one exception - the attack on the Zionskirche (Zion's Church) and the trials following it. The case had too much publicity in West Germany, it had to be reported.

    CW: How did the government deal with right-wing extremism?

    HH: It didn't.

    CW: Thank you, Harald.

  • Identity check

    Suitable for today's 20th anniversary of the storming and occupation of the Stasi headquarters in Berlin today follows another interview with Harald Hauswald about his conflicts with the state security of East Germany.

    Christopher Wilde: Hi Harald. After our last meeting I searched for the following picture in our database. I know that this picture was published in the book "Ost-Berlin".

    Standard bearer

    © Harald Hauswald/OSTKREUZ


    The picture shows a policeman during an identity check. Were you able to photograph this image openly or did you have to do it secretly, so that the official did not notice?


    Harald Hauswald: Of course it was not open, I had to take off the prism of my Pentagon-Six camera, put the camera under my arm and shot backwards.

    CW: The State Security of the GDR Stasi controlled you. About the book "Ost-Berlin" there was a special report with absurd comments. Were there any consequences when the book was published in West Germany?


    HH: For me it was prohibited to print in the GDR.


    CW: There were Stasi files not only about the "Ost-Berlin" book. When you applied the insight of the documents and read them for the first time, were there disappointing or unpleasant surprises?


    HH: It was a bit hard to read that there were about 40 people who reported on me and some were quite busy there. The reports were sometimes so detailed that it could have brought me to prison for several years, but my acquaintance with Western journalists and the related Western public saved me from that.

    CW: Thank you Harald.