• Sabine Michel on Sibylle Bergemann

    Both melancholic and funny, sensitive and incisive is the film „Take a picture“ that shows Sibylle Bergemann during her last days. In our interview, director Sabine Michel tells about her work with Sibylle Bergemann, her stamina and her sense of humor.

    Anna-C. Hartmann: Do you recall your first contact with Sibylle Bergemann's images?

    Sabine Michel: I became familiar with her work at a very young age. My parents were subscribed to the GDR women´s magazine Sibylle that often published images by Sibylle Bergemann. As a child I always cut out the pictures of the beautiful women. The name Sibylle Bergemann had already struck me then. I found it funny that the photographer had the same name as the magazine. Later, in Berlin, I came across her Polaroids that have, to this day, a particular appeal to me.

     

    Sabine Michel

    © Uwe Mann 


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  • First love · Interview with Annette Hauschild

    First love, in Berlin of today, how das that feel? Annette Hauschild captured the glances, the gestures and the touches of the teenagers in love. Starting tonight, her series „first love“ will be exhibited in Potsdam. A good occasion for an interview.

    Anna-Christina Hartmann: Unlike in literature, film or music, love is not the absolutely overriding theme in photography. How did you come up with the idea for your series "first love"?


    Annette Hauschild: It was originally a commissioned work, for the Dummy magazine. They did this "Love" issue and asked me if I wanted to contribute a series. It was very free, I chose the places and the protagonists myself. And afterwards I continued. I still add photos. Because it is such a great topic. And because there are so many ways to put it into pictures.

    Annette Hauschild

    © Annette Hauschild/OSTKREUZ

     

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  • Ute & Werner Mahler - Interview and Clip

    What is it like, when a couple tackles their first common project after 40 years of mariage and individual careers in photography? Joerg Colberg spoke with Ute and Werner Mahler about their work "Monalisas of the suburbs".

    The interview

    Filmmaker Maik Reichert shows them working on their "Monalisas" in the East Berlin suburb Marzahn.

    monalisen

    The limited edition box and the Print edition of the "Monalisas" are now available on our OSTKREUZ-Store.

  • Retracing Thomas Meyer

    What a nice idea! Two Dutch photographers went to Dubai and restaged photos from Thomas Meyer's series "The Resort". Julian Huijbregts, 26, editor for the Dutch photography magazine DIGIFOTO Pro and Hans Palmboom, 33, Biomedical Engineer and freelance photographer told us about the motivations behind this unusual project.

    Where did you first come across Thomas Meyer's work on Dubai?

    Julian: When planning our photo trip to Dubai we did some research and tried to find good documentary photography. Although there are a lot of stories about this crazy city, the amount of decent photography seems pretty small. A friend of us who studies photography came up with Thomas Meyer's website, which appealed to both me and Hans.
    Hans: The more we looked at Thomas Meyer's photos, the more ‘rules’ we discovered he determined for his composition to press the shutter button, the more impressed we became. I printed all of Thomas Meyer's photos to have them with me as an inspiration when being there and those prints eventually became our roadmap.

    Thomas Meyer

    © Thomas Meyer/OSTKREUZ                               Hans Palmboom

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  • Nuclear repository? - Here please! - Feature Maurice Weiss

    "Nuclear waste in our village? Why not? "This attitude is rather rare in Germany. In our neighboring country, Sweden the little town of Östhammar has actually applied for the establishment of a nuclear repository. OSTKREUZ Photographer Maurice Weiss, who photographed the village recently, tells us why.

    Maurice Weiss

    © Maurice Weiss/OSTKREUZ

     

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  • Interview Ute Mahler: On teaching in photography

    Ute Mahler has been teaching photography for over ten years, at the HAW Hamburg and at the Ostkreuzschule in Berlin. On our blog she speaks about her beginnings as a professor, the joys of teaching and her own experiences as a photography student.

    Anna Hartmann: Dear Ute, you have been teaching photography for quite a long while now. How did you get into it?


    Ute Mahler: I had never thought about teaching. I enjoyed my work as a photographer far too much. But when I was asked if I wanted to apply for a new professorship at the HAW Hamburg, I realized that I would actually like that. I always enjoyed talking about photographs and I also wanted to work with young people. So I just applied.

    Ute Mahler

    „Living Together“ © Ute Mahler/OSTKREUZ

     

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  • Arms fair in Abu Dhabi - Interview with Julian Röder

    IDEX 2011 in Abu Dhabi: the biggest arms fair in the Middle East. Our photographer Julian Röder was there. ZEIT Magazin will publish his feature tomorrow. For OSTKREUZ blog, he preselected two photos and speaks about his experiences between tanks and glass beads.

    IDEX 2011

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  • "My little sister" - Linn Schröder

    What does it involve to photograph someone very near to you, every week, for a whole year? Jörg Brüggemann talked with Linn Schröder who did exactly that in her series
    "My little sister".

    Jörg Brüggemann: When you are young, smaller siblings can be quite tiresome. I am the youngest of four children and I know very well how annoying I must have been at times. Once you get older, the relationship changes, because everyone finds their own way or needs to find their own way.
    A year ago, you started taking photos of your nine years younger sister, one every week. How did that come about?

    Linn Schröder: As a photography student, I took pictures of my sister a couple of times. Then I did not for a very long time. The series resulted from my sister´s wish to be photographed by me again and my idea to make a longer project out of it. By the way, I do not remember my little sister as so annoying. I think the age gap between us was so great that when I was a teenager, not so many points of contact existed between us. Perhaps now, we will make up for it.

    Meine kleine Schwester

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