News

Ute Mahler and Werner Mahler's series “Monalisen der Vorstädte”, “Wo die Welt zu Ende war”, “Die seltsamen Tage” and fashion pictures created on the Elbe will be on display at the Freiheitshalle in Hof until the end of October in the exhibition “Gemeinsam”. Ute Mahler and Werner Mahler have been working together since 2008 on independent projects in which they address current political and social conditions.

In Berlin, the exhibitions “Ein Dorf 1950-2022. Ute Mahler, Werner Mahler und Ludwig Schirmer” at the Akademie der Künste (until 4.5.) and „Farbenrausch“ at  Galerie Springer (until 19.7.) are still running. 

Marit Lena Herrmann, curator of the exhibition “Ein Dorf”, will give a guided tour of the exhibition at the AdK on Hanseatenweg on Sunday, May 4 at 2 pm.

 

Duration (exhibtion in Hof): 11.5. until 26.10.25 

More Information: here

 

The producers' gallery “Altenau 04” in the village of Mühlberg an der Elbe is showing Stephanie Steinkopf's works “Manhattan-Straße der Jugend”, “Vogelfrei” and “Virpi” in a solo exhibition. Steinkopf's long-term projects usually explore the political and social conflicts that affect individuals. Through a process of intimate engagement, the photographer delves into the everyday lives and emotional relationships of her protagonists. Her work invites us to discover, identify and critically question some of the deprivations and prejudices of today's society.

 

Opening: 4.5.25, 3 PM, Introduction by Christin Müller, freelance curator and author, Leipzig, and accompanying musical program

Duartion: 5.5. until 27.7.25, opening hours by arrangement

Adress: Galerie Altenau 04, im Alten Pfarrhof, Dorfstr. 4, 04931 Mühlberg/OT Altenau

More Information: here

The International Days Ingelheim are showing the group exhibition “Curiosity, Courage and Adventure. Women photographers on their travels”. It presents works by 21 renowned historical and contemporary female photographers from Germany, Austria and Switzerland, including Inge Morath, Marianne Breslauer, Helga Paris, Evelyn Richter, Barbara Klemm and OSTKREUZ Anne Schönharting and Jordis Antonia Schlösser.

Jordis Antonia Schlösser is represented in the exhibition with photographs from Iran, Cuba and Poland, while Anne Schönharting's works from Hong Kong and Kyrgyzstan will be on display.

 

Duration: 4.5. until 13.7.25 

More Information: here

Photo left: Anne Schönharting, photo right: Jordis Antonia Schlösser

The writer Simon Strauß has put together the pop-up exhibition “Neoromanticism” for the Prince Pückler Museum Park and Castle Branitz Foundation in Cottbus. It shows positions from contemporary art that explore the relationship to the old concept of “Romanticism”.

Anne Schönharting is represented with works from her extensive long-term project “Habitat”, for which she portrayed and staged people and their apartments in Charlottenburg over a period of 10 years. The exhibition also features works by Nigin Beck, Lars Eidinger, Erika Hegewisch, Ralph Mecke, Benyamin Reich, Slawomir Elsner and Charlotte Streicher.

 

Opening: 30.4.25, 6 PM, Schloss Branitz 

Duration: 1.5. until 31.8.25 

More Information: here

 

The NOW Gallery in Neukölln is showing the exhibition “Zwischen Beton & Boudoir”, organized by sch², which deals with female perspectives on Berlin. The exhibition tells Berlin's history from the perspective of women - using photographs, films and texts that make female spaces, experiences and networks visible. The focus is on topics such as resistance, change and the appropriation of urban spaces beyond masculine narratives. In addition to Annette Hauschild, Emily Dodd-Noble, Ann-Christine Jansson and Maria Monaco are also represented with works.

 

Opening: 24.4.25 

Duration: 25.4. until 18.5.25 

Adress: NOW Gallery, Hasenheide 54, 10967 Berlin

©Annette Hauschild/OSTKREUZ, Lisa D., Fashion designer, and Fiona Bennett, Hat designer, in the studio in in the former soap factory, Brunnenstraße, Berlin 1993

“Off Foto”, the Mannheim festival for artistic and documentary photography, is showing the exhibition ‘Koexistenz’ with five photographic positions by Sibylle Fendt, Nikita Teryoshin, Aslı Özdemir, Erik Irmer and Jonathan Funk.

The world is currently facing profound upheavals: A shift to the right, social tensions, ecological crises and geopolitical conflicts are overlapping and shaping our everyday lives. “Koexistenz” looks at this area of tension from different angles and will point out systems and mechanisms that all too often remain hidden. In her work “Holzbachtal, Nothing, Nothing”, Sibylle Fendt sheds light on the bleak realities of life for male refugees in the H8 refugee shelter in the deep Black Forest. She portrayed the residents of the accommodation for three years until it was closed at the end of 2018.

 

Opening: 24.4.25, 7 PM 

Artist Talk with Sibylle Fendt: 25.4.25, 5 PM 

Duration: 25.4. until 15.5.25 

More Information: here

 

To mark the 100th anniversary of Leica, an exhibition will open each month in a selected Leica Gallery, linking a contemporary talent with one of the Leica Hall of Fame winners and creating a visual dialogue between the past and future of photography through their joint presentation. We are delighted that Johanna-Maria Fritz's work will be presented at the Leica Gallery Munich in dialogue with works by photographer Jürgen Schadeberg (1931-2020), who received the Leica Hall of Fame Award in 2018 for his life's work.

 

Opening: 17.4.25, 7 PM 

Duration: 19.4. until 12.7.25 

More Information: here 

 

Annette Hauschild is featured in the pop-up exhibition "Portraits" with her work „Verhüllter Reichstag – die letzte Nacht, Berlin 1995“. The exhibition is organized by Artflash and Paradise Room Berlin at Restaurant VOLK, located at Brunnenstrasse 182 in Berlin-Mitte, and showcases works by 15 renowned international artists, including John Baldessari, A.R. Penck, Louisa Clement, among many others. The exhibition is supported by Kicken Berlin and curated by Ariane Hosemann (Paradise Room).

 

Opening: 10.4.25, 6 - 9 PM   

Duration: 11.4. until 31.5.25, open daily from 12 PM - 12 AM 

More Information: here

©Annette Hauschild/OSTKREUZ, Verhüllter Reichstag - die letzte Nacht, Berlin 1995 Für den Verhüllten Reichstag: Christo und Jeanne-Claude, Verhüllter Reichstag, Berlin, 1971-95, ©Christo and Jeanne-Claude Foundation 

The exhibition “There must be a connection between production and war” with works by Johanna-Maria Fritz, Harun Farocki and Violetta Oliinyk is currently on display in the “Red” exhibition space of the berlinbookclub in the Sophie-Gips-Höfe. The exhibition examines the overlaps between technology, work and warfare and explores the contemporary discourse on the use of drones. Works by German filmmaker Harun Farocki (1944-2014) are exhibited in dialogue with those of Violetta Oliinyk (born 1995) from Ukraine and Johanna-Maria Fritz (born 1994), both of whose personal lives have been profoundly affected by war. In this exhibition, Johanna-Maria Fritz is presenting a series of drone images from the war in Ukraine for the first time.

Johanna-Maria Fritz's solo exhibition “Zeit der Umbrüche. Photographs 2014-2024” can be seen at the Willy-Brandt-Haus  only until 25th of May. 

 

Duration: until 30.6.25 

More Information: here

Linn Schröder's well-known ‘Self-portrait with a breast and twins’ was created in 2012 for the OSTKREUZ exhibition ‘Über Grenzen’ shortly after the birth of her twin daughters. In it, Linn Schröder juxtaposes the paradoxical symbols of life and death on her own body; she herself wears the border on her skin.

The self-portrait will be shown during EMOP Berlin 2025 in the group exhibition ‘Rivalen. Photography vs. Promtography’ at Photo Edition Berlin, which presents works by around 25 renowned artists. It questions the limits and possibilities of conventional photography and AI-generated images.

The exhibition invites visitors to reflect on the changing role of creativity and technology in contemporary image production.

Opening: 1 March, 6-9 p.m.

Duration: 2.3. until 31.10.25

Further information: emop-berlin.eu

In the exhibition ‘FARBENRAUSCH’, GALERIE SPRINGER BERLIN is showing colour works by Ludwig Schirmer, Ute Mahler and Werner Mahler parallel to the exhibition ‘Ein Dorf’ at the AdK and also at EMOP Berlin. Both Ute Mahler's and Werner Mahler's colour photographs have rarely been shown in exhibitions before. Ludwig Schirmer, who was one of the most important advertising photographers in the GDR, has also been shown mainly in black and white. This ‘family exhibition’ presents works by Schirmer from the years 1958 to 2000. His pictures are characterised by their closeness to people, precise compositions and subtle humour.

Werner Mahler experimented with various techniques for his landscape photographs, which were taken between 2000 and 2005, and created atmospheric, surprising images. From 1998 to 2008, Ute Mahler visited places where great personalities lived and worked for a series about their lives. In her series ‘Searching for Traces’, the photographer combines the specific sites with her own subjective and intuitive images. She combines them with fashion photographs from the early 1990s to create a new narrative thread.

Opening: 1.3.25, 14-18 h

Duration: 4.3. to 19.7.25

Further information: www.galeriespringer.de

The German Cultural Centre Cluj-Napoca is pleased to present the exhibition ‘Sibylle Bergemann. Photographs’, organised by the Institute for Foreign Cultural Relations (IFA) at the local art museum, which presents the artist's complete oeuvre. Sibylle Bergemann worked serially, but also documented themes over a longer period of time. Fashion and portrait photographs, created for the magazines ‘Sibylle’ and ‘Geo’, form a focal point of Sibylle Bergemann's work. Bergemann began focussing on situational and scenic images in the late 1960s in Berlin.

This was later followed by New York, Paris, Tokyo and São Paulo. She worked with Polaroids for many years and mainly in black and white until 1990. She is one of the few photographers who use colour as a constitutive rather than illustrative element.

Opening: 27.2.25, 6 pm in the presence of Frieda von Wild (Estate Sibylle Bergemann)

Duration: 28.2. until 16.3.25

Further information: www.kulturzentrum-klausenburg.ro

The Akademie der Künste am Hanseatenweg is showing the exhibition ‘Ein Dorf 1950-2022’, a long-term project by the three photographers. The project focusses on the Thuringian village of Berka and yet points far beyond its borders. In the 1950s, Ludwig Schirmer, Ute Mahler's father, was a master miller in Berka. As an autodidact, he began to document everyday life, the festivals and his own life. Without knowing his father-in-law's pictures, Ute's husband Werner Mahler decided to photograph his diploma thesis in Berka in 1977. A good 20 years later, in 1998, Stern magazine asked him for an update, which was never published. Ute Mahler photographed Berka in 2021/22. As a family follow-up, she created a personal work about a home village.

All four works with over 120 photographs pose questions about continuity and change, about home, childhood, about moving away and coming back, old and new, the familiar and the unfamiliar.
The exhibition was curated by Marit Lena Herrmann and is being presented as part of EMOP Berlin, opening at the same time as its main exhibition ‘was zwischen uns steht’ and the Opening Days at the AdK. The exhibition will be accompanied by an extensive programme of events and educational activities; further information can be found on the AdK website. The catalogue of the same name was published by Hartmann Books and was awarded the German Photo Book Prize Gold in 2024.

Opening: 27.2.25, 7 pm
Artist talk as part of the ‘EMOP Opening Days’: with Ute Mahler, Werner Mahler and Marit Lena Herrmann, moderated by Johanna Keller, 28 February, 4 pm
Curator guided tour: with Marit Lena Herrmann, 2.3.25, 2 pm Duration: 28.2. to 4.5.25

Also as part of EMOP Berlin, the Freundeskreis Willy-Brandt-Haus is showing Johanna-Maria Fritz's solo exhibition ‘Zeit der Umbrüche. Photographs 2014 - 2024’. She finds her motifs in conflict and war zones, in collapsing states, among persecuted minorities and on the margins of society. This exhibition takes a look at the already remarkable work of the 30-year-old photographer, whose pictures appear in international media.

Johanna-Maria Fritz often works on different themes in parallel and with interruptions, returning time and again to places and people. She usually stays longer, lives with the people she photographs and develops new approaches from her work, which she then pursues further. The exhibition was conceived by Barbara Stauss.

Duration: 28.2.- 25.5.25
Vernissage: 27.2.25, 6 pm

Further information: www.fkwbh.de

As part of EMOP Berlin - European Month of Photography 2025, photographers Linn Schröder and Anne Schönharting are presenting their joint project ‘Holy Woods’ at Haus#1 on Waterloo Ufer in Kreuzberg.

The idea for this work arose from a deep need to expand consciousness and a longing for a ‘new way of seeing’: ‘In the midst of a time characterised by violent conflicts, socio-political tensions and the increasing destruction of our natural habitats, we consciously spend time in the forest, resonating with ourselves, with each other and with nature. It is an experiment, a research trip with the character of an expedition, with the desire to translate invisible sensations into images,’ say the two photographers about their project.

Vernissage: 27.2.25, 18-22 h
Artist talk: 1.3.25, 4 pm
Finissage: 2.3.25, 12pm-8pm
Duration: 28.2. to 2.3.25

The group exhibition ‘Joie Collective - Une Iconographie’ at the Palais de Tokyo in Paris presents works that deal with the theme of collective joy. The iconographic project brings together numerous documents that are distributed throughout the Palais de Tokyo building and placed in relation to each other, including paintings, archive images, postcards, photographs, internet research and posters.

Annette Hauschild and Werner Mahler have each selected a work for this exhibition that was created on occasions of collective joy in Berlin. Werner Mahler documented the joy of the people on the day the Wall came down, 9 November 1989, while a few months later Annette Hauschild photographed the crowds celebrating together at the 1990 Love Parade in reunified Berlin.

Duration: 21.2. to 11.5.25

Further information: palaisdetokyo.com

Sebastian Wells is co-editor of Solomiya Magazine. Three issues of the magazine have been published so far, the fourth is currently in preparation and will be presented at the beginning of February on the occasion of the ‘Solomiya Studio’ festival curated by the Solomiya Magazine team at KVOST (Kunstverein Ost).

The theme of the festival revolves around various forms of violence. Starting with colonial violence, ecocide, the fragility of peace agreements and the rise of far-right parties in Germany, power relations and their abuse will take centre stage.

Solomiya Magazine was founded in April 2022 in response to the Russian invasion of Ukraine. From visual art to personal stories, the magazine showcases the work of emerging and established artists from Ukraine and beyond.

Duration: 5 to 19.2.25, daily from 2pm to 7pm

Further information: www.solomiyastudio.com

(Photo: Katia Motyleva; Design: Collective Scrollan)

We are delighted to honour the many years of close collaboration between us and C/O Berlin with a joint exhibition: C/O Berlin is presenting our exhibition "Träum Weiter - Berlin, die 90er" at Amerika Haus. It was jointly curated by Annette Hauschild (OSTKREUZ) and Boaz Levin (C/O Berlin) and shows works by nine of our photographers: Sibylle Bergemann, Annette Hauschild, Harald Hauswald, Ute Mahler, Werner Mahler, Thomas Meyer, Jordis Antonia Schlösser, Anne Schönharting and Maurice Weiss.

35 years after the agency was founded and in the anniversary year of the fall of the Berlin Wall, "Träum weiter" presents around 200 selected works. In addition to some classics, many as yet unpublished images from the photographers' archives will be on display. They take on a new relevance when viewed from today's perspective and serve as material for an atmospheric picture of this formative decade, the 1990s. They reflect a city in transition with all its ambivalences - from the fall of the Berlin Wall to dancing in the ruins of the burgeoning techno scene to the social and economic changes - and finally to becoming a capital city. As chroniclers of their time, the OSTKREUZ photographers take a close look at the social changes and challenges of growing together that are taking place in their city.

The exhibition will be accompanied by a publication of the same name published by Spector Books, Leipzig, at a price of 38 euros.
Various events, guided tours and educational formats are planned for the duration of the exhibition, which will be announced on the C/O Berlin website.

Opening: 13.9.24, 8pm

Artist Tour with the curators and photographers: 14.9.24, 6pm

Duration: 14.9.24 - 23.1.25

Further information here.

 

To mark the start of the 2024/25 Bundesliga season, we are showing the exhibition „Vom Waldweg in die Republik“ with photographs by Harald Hauswald, Werner Mahler and Sebastian Wells in cooperation with Wirtschaftsrat 1. FC Union e.V. These will be on display in and around the Alte Försterei stadium in Köpenick - along the Forest path and in the Galeria BallEtage.

The three OSTKREUZ photographers have dedicated themselves to 1. FC Union at various times and accompanied the club at home matches and away trips. Harald Hauswald's and Werner Mahler's black and white photographs were taken in the GDR and post-reunification era, when Bundesliga football was still a utopia. In his colour photographs, Sebastian Wells shows how 1. FC Union was promoted to the Bundesliga and later qualified for the Champions League, finally turning utopia into reality.

The exhibition on Waldweg is open to the public. Advance online booking is required for visits and guided tours of the Galeria BallEtage.

Duration: 29.8.24 - 17.5.25

Further information here.

 

Until the end of August, the Institut français Berlin is showing Sebastian Wells‘ solo exhibition „Double Jeux“ in the Institute's own display windows on the corner of Uhlandstrasse and Kurfürstendamm to mark with the Olympic Games in Paris.

In this exhibition, Wells presents selected images from the past four Olympic Games in Rio de Janeiro (2016), Pyeongchang (2018), Tokyo (2021) and Beijing (2022) as well as a photographic installation with current images from the Olympic Games in Paris. The installation will be regularly updated with new images by Sebastian Wells during the duration of the exhibition and is accessible to visitors daily and without restriction.

Duration: until 31.8.24

Further information here.