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As part of the 35th anniversary of German reunification, the Aninat Gallery in Santiago de Chile is presenting works by Harald Hauswald in the solo exhibition ”GRENZKUNST – Circuito contracorriente: La Resistencia cultural durante la RDA” (Countercurrent Circuit: Cultural Resistance in the GDR), curated by Rafael Insunza. Parallel to the exhibition, the Goethe-Institut Chile is organising a programme of events and films in Santiago de Chile (25-26 September), Viña del Mar (1 October), Valparaíso (29-30 September) and Concepción (6 October). Harald Hauswald will be present at each location and will introduce his work to the audience in panel discussions. These events are also entitled ”Grenzkunst” (Border Art) and focus on cultural resistance in the GDR between 1985 and 1990. In exchange with Chilean artists, photographers, historians and archivists, parallels to cultural resistance in Chile will be analysed. The films ”Der Radfahrer” (Marc Thümmler, 2009) and ”Foto: Ostkreuz” (Maik Reichert, 2014) will form the backdrop for these discussions. For the detailed programme of events and films, please visit the Goethe-Institut Chile website.

Opening: September 24, 2025, 7:00 P.M.

Artist talks with Harald Hauswald at Galerie Aninat: 27 September and 18 October 2025, 11:00 A.M. each day

Exhibition dates: September 25 to November 8, 2025

Venue: Galerie Aninat, Santiago / Goethe-Institut Chile, Santiago

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What does it mean to feel today? The exhibition ”Neoromanticism: The Artistic Value of an Old-New Longing,” curated by Simon Strauß at the Stadtmuseum im Fembo-Haus in Nuremberg, brings contemporary artists into dialogue with an old concept of longing – not nostalgically, but with a presence of mind. At the heart of the presentation unfolds a polyphonic dialogue about closeness, nature, vulnerability and the unshakeable power of emotion. In addition to works by Nigin Beck, Lars Eidinger, Erika Hegewisch, Ralph Mecke, Benyamin Reich, Slawomir Elsner and Simon Strauß, Anne Schönharting and Linn Schröder are also represented in the exhibition. It shows works from Anne Schönharting's long-term project ”Habitat”, for which she staged and portrayed people in their homes over a period of ten years. 

In addition, the current joint project ”Holy Woods” (work in progress) by Anne Schönharting and Linn Schröder will be on display. The idea for this project arose from a deep need to expand consciousness and a longing for a ”different way of seeing.” In the midst of a time marked by violent conflicts, socio-political tensions and the increasing destruction of our natural habitats, the two photographers consciously spend time in the forest, resonating with themselves, each other and the surrounding nature.

Opening: September 25, 2025, 7:00 P.M.

Exhibition dates: September 26 to November 23, 2025

Location: City Museum in the Fembo-Haus, Nuremberg

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Katharina Grosse and the Wunderblock Foundation she founded are presenting the exhibition ”Ein Dorf 1950–2022. Ute Mahler, Werner Mahler und Ludwig Schirmer” (A Village 1950–2022. Ute Mahler, Werner Mahler and Ludwig Schirmer) as the first exhibition in the former LPG in Groß Kreutz. With the exhibition of this special group of works, the Wunderblock Foundation aims to provide a space for engagement with established social structures in rural areas. 

The Wunderblock Foundation has set itself the goal of repurposing the old LPG buildings in Groß Kreutz and transforming the site into an area for artists' studios, exhibitions and cultural activities. The foundation is currently in its founding phase, during which it aims to deepen understanding of the historical context of the site. ”A Village 1950–2022” is a long-term project by Ludwig Schirmer, his daughter Ute Mahler and her husband Werner Mahler. It focuses on the Thuringian village of Berka, yet reaches far beyond its borders. The photographs raise questions about home, continuity and change. In spring 2024, they were exhibited to great acclaim at the Academy of Arts in Berlin. 

From 26 to 28 September, the pictures will be on display on the grounds of the Wunderblock Foundation. To conclude the exhibition, journalist and curator Kito Nedo will hold a conversation with Ute Mahler and Werner Mahler on Sunday about their lives and work. 

Artist talk: September 28, 2025, 11:30 A.M.

Venue: Wunderblock Stiftung, Trechwitzer Str. 13, Groß Kreutz, OT Schenkenberg

Exhibition dates: September 26 to September 28, 2025, 11:00 A.M. to 4:00 P.M. each day

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The exhibition ”Sonnensucher! Kunst und Bergbau der Wismut” (Sun Seekers! Art and Mining at Wismut), curated by Dr Paul Kaiser of the Dresden Institute for Cultural Studies, is currently on display at the industrial monument of the historic cotton mill 1896 in Zwickau. 

During the Cold War, SDAG Wismut supplied the Soviet Union with weapons-grade uranium from western Saxony and eastern Thuringia. At the same time, it was a legendary ”state within a state” and collected fine art on a grand scale. At an authentic location in Wismut's history, this exhibition provides an overview of the most extensive art collection of a GDR company, comprising more than 4,000 works by 450 artists. 

Working people and mining life are at the centre of the fine art purchased or commissioned by SDAG Wismut (today: Wismut GmbH) in the GDR. In 1975, Werner Mahler took photographs in the Martin Hoop mine in the Zwickau district, one of the last mines where hard coal was still being mined in the GDR. With this series, he portrayed work that seems to come from another era. Just three years later, the last shaft was closed. His impressive black-and-white series ”Bergbau” (Mining) is currently on display in the exhibition ”Sonnensucher!” (Sun Seekers!) and published in the accompanying exhibition catalogue.

Exhibition dates: until October 26, 2025

Venue: Historische Baumwollspinnerei 1896, metaWerk AG, Zwickau

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The Fondation Henri Cartier-Bresson in Paris is showing the solo exhibition ”Sibylle Bergemann. Le Monument”, curated by Sonia Voss and developed in close collaboration with the Sibylle Bergemann estate. 

From 1975 to 1986, Sibylle Bergemann created the famous work ”Das Denkmal” (The Monument), a series of photographs documenting the construction of a monument to Marx and Engels in the Mitte district of East Berlin. The series follows the construction of the monument, which was commissioned by the GDR authorities to honour the founding fathers and theorists of the communist movement. Bergemann captured every stage of the creative process, from the initial models to the monument's inauguration on 4 April 1986. From over 400 rolls of film, she selected twelve photographs, which she compiled under the title ”Das Denkmal” (The Monument). Today, these are considered one of Bergemann's most iconic series. In the post-communist light, Bergemann's deconstruction of heroic figures and the underlying irony seem astonishingly prescient. But no one could have foreseen the fall of the Berlin Wall just three years later. 

The exhibition is accompanied by a catalogue of the same name with texts by Christian Joschke, Heiner Müller, Steffen Siegel, Sonia Voss, Frieda von Wild and Lily von Wild, published by  Kerber-Verlag.

Opening: October 28, 2025, 6:00 P.M.

Exhibition dates: October 29 to January 11, 2026

Venue: Fondation Henri Cartier-Bresson, Paris

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Beginning in September, Das MINSK in Potsdam presents the group exhibition “Housing Complex. Art and Life in the Plattenbau”, curated by Kito Nedo. The exhibition explores how East German prefabricated housing — known as Plattenbau — has been reflected and negotiated in art.

Sibylle Bergemann is featured in the exhibition with her well-known photographic series “P2”, created between 1974 and 1981 during the filming of a documentary in a Plattenbau housing estate in Berlin-Lichtenberg.

“P2” portrays the variously furnished living rooms of apartments within a single block of industrially produced housing. The abbreviation “P2” refers to a type of housing developed in the early 1960s that redefined domestic layouts with its open floor plans. By integrating the kitchen into the living area, the new design also subtly challenged traditional gender roles: women were no longer isolated in the kitchen, and men were encouraged to participate in household chores.

Exhibition dates: September 6, 2025 – February 8, 2026

Venue: Das MINSK, Potsdam

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This year’s Photography Festival of the Aachen City Region presents the dual exhibition “Alliances. Photographs by Arno Fischer and Jordis Antonia Schlösser”, featuring black-and-white works by both photographers at Burg Frankenberg, curated by Nina Mika-Helfmeier.

Berlin in the 1950s — a city in transition — captured by Arno Fischer. Havana in the 1990s — also a city in a state of flux — photographed by Jordis Antonia Schlösser. Both perspectives on urban life and its people reflect a deep interest in interpersonal relationships and human situations, marked by a shared sensitivity and observational empathy.

Jordis Antonia Schlösser studied under Arno Fischer at the University of Applied Sciences in Dortmund in the 1990s. During that time, she created the body of work featured in this exhibition: “No es fácil – Havana Between Times.” This widely acclaimed photo essay portrays a country caught in limbo, shaped by hope and anxiety about the future. Arno Fischer, who passed away in 2011 at the age of 84, is regarded as one of the most important German photographers of the 20th century. Alongside his well-known images of divided Berlin, the exhibition also features a selection of his travel photographs.

Exhibition dates: August 24 – September 21, 2025

Artist Talk & Exhibition Tour with the Photographer: September 20, 2025, 6:00 PM

Workshops with the Photographer: September 19 and 20, 2025

Venue: Burg Frankenberg, Aachen

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The 30th edition of the ongoing Noorderlicht Photo Biennale explores the complex relationship between technology, ecology, and cultural heritage. Rapid technological progress has had profound effects on biodiversity, social structures, and our shared history. The biennale aims to raise awareness and spark dialogue: How does technology shape our lives, our landscapes, and our collective memory?

In keeping with these questions, the festival presents the project “Internet Explorers” by photographer Heinrich Holtgreve in collaboration with radio journalist Moritz Metz. Since early 2022, Holtgreve and Metz have traveled around Germany together — equipped with camera and microphones — visiting every physical site where the country is connected to its neighbors via fiber-optic cables. The first result of this journey was a podcast in which they share both their on-site experiences and technical insights.

Exhibition dates: until September 7, 2025

Venue: Niemeyerfabriek, Paterswoldseweg 43, 9726 BB Groningen

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In Jamlitz, a place steeped in history, Harald Hauswald presents a selection of his striking photographs from the GDR in the exhibition "On Disappearance."
The exhibition is part of a temporary public art project, in which all contributions engage with the town and its people. Hauswald’s photographs bring everyday life in the GDR back into the present — authentic and accessible, right in the heart of the Brandenburg countryside.

Under the title "Identity and Memory," the accompanying program invites visitors to open table talks. In a relaxed setting, the participating artists introduce themselves, speak about their ideas, their connection to Jamlitz, and their artistic approach.

Opening: August 9, 2025, at 2 PM


Duration: Until September 7, 2025


Table Talk #16 with Harald Hauswald and Herbert Schirmer (Curator of Spektrale and other exhibitions): Monday, September 1, 2025, at 6 PM

Venue: Kunsthalle Alte BHG, Kastanienallee 2, 15868 Jamlitz

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The Museum Haus des Papiers is currently presenting the photo festival “Communication with Conviction” at various locations across the city. The central question: What happens to democratic spaces when conviction becomes mere posturing and no one listens anymore? The festival focuses on themes of democratic values and respectful communication. Where language reaches its limits, images can open new spaces — here, photography becomes a medium for engagement and dialogue.

Johanna Maria Fritz is one of 29 international artists and photographers whose works are shown as large-format photo posters in public urban spaces. Her photographs from Ukraine are on view at the Teufelsberg Listening Station in Berlin until early September.

Exhibition dates: until September 7, 2025

Venue: Teufelsberg Listening Station, Berlin

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FOTOGALERIE Friedrichshain has been based in a prefabricated building next to the Warschauer Straße S-Bahn station since 1985, making it Berlin’s oldest photography gallery. It is celebrating its 40th anniversary with a major group exhibition that bridges its history with contemporary perspectives.

Harald Hauswald is also featured in the show with his work "Porzellanladen" – part of a selection of photographs from East Berlin in the early 1980s.

Opening: August 14, 2025, 7 PM

Exhibition Dates: August 15 – October 2

Location: FOTOGALERIE Friedrichshain

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The Neubrandenburg Art Collection is currently presenting the exhibition “Der große Schwof. Celebrating in the East,” curated by Petra Göllnitz and produced by the Jena Art Collection, as its third stop — on view until early September. The exhibition features works by Sibylle Bergemann, Ute Mahler, Werner Mahler, and Harald Hauswald.

Partying, dancing, drinking — “Schwofen” has always served as a welcome outlet for pent-up energy. People come together spontaneously or in organized ways, in private settings or at unofficial, often purpose-built venues. Every country and society develops its own distinct customs around celebration — especially under restrictive conditions such as those in the former GDR. Beyond the clichés of a drab East, this exhibition reveals a surprising and vibrant slice of everyday culture — lively, colorful, and wonderfully diverse. As part of the exhibition, Petra Göllnitz will host two artist talks: one with Ute Mahler & Werner Mahler, and another with Harald Hauswald.

Artist Talk: “Ute, Werner and I” With Ute Mahler and Werner Mahler, August 16, 2025, 3:00 PM, Admission: €10.00 / reduced €5.00 Registration requested

Artist Talk: “Life in Full” With Harald Hauswald, August 30, 2025, 3:00 PM, Admission: €10.00 / reduced €5.00 Registration requested

Exhibition duration: until September 7, 2025

Venue: Neubrandenburg Art Collection

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In conjunction with the UEFA Women’s EURO 2025 in Switzerland, the exhibition “SHE CAN KICK IT!” at f³ – Freiraum für Fotografie in Kreuzberg visually highlights women’s football and examines its complex history. Once ridiculed and even banned, women’s football is now celebrated almost everywhere in the world. Female football players are fighting for equality and against the sexualization of women’s bodies. They are major role models for girls and ideal ambassadors for advertising. Yet, significant disparities still exist compared to men’s sports, such as in playing opportunities and remuneration.

Johanna-Maria Fritz, along with Susan Meiselas, Anja Niedringhaus, and many other renowned photographers, is featured in the exhibition “SHE CAN KICK IT!”, curated by Nadine Barth.

Opening: June 26, 2025, at 7:00 PM

Duration: June 27 – September 7, 2025

Location: f³ – Freiraum für Fotografie 

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The Deutsches Hygiene-Museum in Dresden is currently preparing the special exhibition ‘Freedom/Svoboda/Wolność: An Unfinished Story’. Focusing on the geographical region of Germany, Poland, and the Czech Republic, the exhibition “Freiheit” explores the historical transformation of concepts of freedom and their relevance to the present day.

The exhibition is divided into three sections, where documents and objects are contextualized alongside works of visual art. The penultimate chapter of the exhibition, titled “Wohlstand” (Prosperity), focuses on the period of upheaval after 1990. Young people in East Germany, Poland, and the Czech Republic embraced newly found freedoms and experienced the “wild nineties” as a time of new beginnings. In this context, selected photographs by OSTKREUZ photographers Annette Hauschild and Thomas Meyer will be projected in the exhibition, focusing on the theme of techno culture.

Duration: June 20, 2025 – May 31, 2026

Location: Deutsches Hygiene-Museum Dresden 

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Photo: Annette Hauschild/OSTKREUZ

At the Willy-Brandt-Haus, a selection of over 50 works from the museum’s own collection is on display until the end of June. Sibylle Bergemann is represented with works from her well-known series “Clärchens Ballhaus” and “Mauerpark”, which are part of the exhibition curated under the themes of Transformation and Intervention. The exhibited works range from documenting landscape changes to capturing snapshots of urban life in Berlin, symbolizing the societal transformation since the fall of the Berlin Wall.

Duration: Until June 29, 2025

Location: Willy-Brandt-Haus 

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As part of the “Artist Meets Archive” program by the Internationale Photoszene Köln, journalist Nicola Kuhn and OSTKREUZ photographer Anne Schönharting will discuss the topic “Uncomfortable Memories: Confronting a Colonial Family Legacy.” The conversation explores how photography can help uncover hidden traces of colonialism within German families. It raises questions about the role images play in shaping cultural memory—what narratives they preserve or omit—and how artistic perspectives can open new ways of engaging with this often-suppressed heritage.

Anne Schönharting’s award-winning project “Das Erbe” (The Legacy) is the result of years spent researching the estate of her great-grandfather. The photobook of the same name was published by Hartmann Books and received the Gold Medal of the German Photobook Prize in 2021. 

Date: June 5, 2025, 7:00 PM

Location: Library of the Rautenstrauch-Joest Museum, Leonard-Tietz-Straße 10, 50676 Cologne

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The Kommunale Galerie at Rathaus Reinickendorf presents Espen Eichhöfer’s 2011 photographic series “The Birth of a Nation” as part of the group exhibition “Touching the Unknown.” The curatorial concept of the show centers on the encounter with the unfamiliar, encouraging engagement with that which lies beyond the known.

When Espen Eichhöfer photographed this series in South Sudan during the first Independence Day celebrations in July 2011, six months had passed since the referendum that led to the country’s founding. Prior to that, the population of the resource-rich South had fought for over twenty years to gain independence from the North—at the cost of thousands of lives and the devastation of vast regions. Yet the peace in the new nation was short-lived: less than two years later, civil war broke out again, and the conflict continues to this day.

Opening: June 4, 2025, at 6:30 PM

Duration: June 5 – September 12, 2025

Location: Kommunale Galerie at Rathaus Reinickendorf 

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Sibylle Bergemann's well-known work “P2” is part of the group exhibition “Typologies. Photography in 20th Century Germany” at the Fondazione Prada in Milan. Bergemann's series “P2”, created between 1974 and 1981, shows the differently furnished living rooms of the same block of flats in an industrially produced prefabricated building in Berlin-Lichtenberg. The abbreviation “P2” stands for a housing series developed in the early 1960s by the Institute for Building Construction at the Bauakademie, which redefined living with open floor plans.

The exhibition brings together more than 600 photographic works by 25 German artists. In addition to Sibylle Bergemann, they include: Bernd and Hilla Becher, Karl Blossfeldt, Ursula Böhmer, Christian Borchert, Margit Emmrich, Hans-Peter Feldmann, Isa Genzken, Andreas Gursky, Candida Höfer, Lotte Jacobi, Jochen Lempert, Simone Nieweg, Sigmar Polke, Gerhard Richter, Heinrich Riebesehl, Thomas Ruff, August Sander, Ursula Schulz-Dornburg, Thomas Struth, Wolfgang Tillmans, Rosemarie Trockel, Umbo and Marianne Wex. 

Duration: until 14.7.25 

More Information: here

Since the beginning of Russia’s illegal war of aggression, Johanna-Maria Fritz has repeatedly traveled to Ukraine to document the unfolding events. In August 2024, as part of the solidarity partnership between Berlin’s Friedrichshain-Kreuzberg district and the Darnytsia district in Kyiv, she spent several days on the ground photographing daily life amid the conflict. Her images bear witness to how people, despite great danger, strive to maintain their routines and preserve hope and a sense of normalcy.

To mark the official signing of the city partnership between Friedrichshain-Kreuzberg and Darnytsia—an initiative actively supported and shaped by the organization Be an Angel—Johanna-Maria Fritz’s photographs will be exhibited at the restaurant "Kreuzberger Himmel". The exhibition is curated by Nadine Barth.

Be an Angel advocates for the empowerment of refugees and runs the restaurant at Yorckstraße 89 in Kreuzberg, which is operated by people with refugee backgrounds.

Opening: May 22, 2025, at 6:30 PM, in the presence of Clara Herrmann, District Mayor of Friedrichshain-Kreuzberg

Duration: May 23 – July 31, 2025

Location: Restaurant "Kreuzberger Himmel"

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To mark the 75th anniversary of the German Basic Law, the Art Advisory Board of the German Bundestag has invited 19 artists to engage with the fundamental rights enshrined in the constitution. Harald Hauswald was invited to explore Article 8, which guarantees the right to freedom of assembly. His work on this theme is now on view as part of the exhibition “We – 19 Fundamental Rights. 19 Artistic Perspectives. A Space for Dialogue” at Forum Kunst im Bundestag, located in the Marie-Elisabeth-Lüders-Haus.

In addition, Harald Hauswald’s “Texas Box” will be on display at the Berlin Wall Memorial of the German Bundestag until early October. The collection includes vintage prints depicting scenes from East Berlin that were originally shown in 1987 in the exhibition “The Other Side of the City”, curated by Neil Coleman at the Pro-Jex Gallery in Austin, Texas. After the gallery closed in 2015, the photographs were stored at the Harry Ransom Center in Texas and, following research conducted by the OSTKREUZ agency, have now returned to Berlin — 37 years later.

Opening: May 21, 2025, 7PM in the presence of the participating artists

Duration: May 22, 2025 – June 21, 2026

Location: Forum Kunst im Bundestag, Marie-Elisabeth-Lüders-Haus 

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